#Line 6 recording software software
#Line 6 recording software Pc
#Line 6 recording software download

#Line 6 recording software download

You can save and load amp/cabinet settings at any point, and you can also use GuitarPort Online to download various tone models. Unfortunately, you can't change the order of the effects, though you can move the Volume pedal between pre and post-amp. Click and drag to spin the virtual dials and change settings it's a piece of cake. There's a graphical layout that shows you which effects you have in use, and clicking any of them brings up an interface that's similar in nature to the amp. It couldn't be easier.Д®diting effects settings is just as simple.

The dials visually turn so messing with the settings is exactly like you'd do with an actual amp. Pick an amp model and cabinet type from the dropdown menu and then tweak the dials by using your mouse.

Volume (Pre- or Post-Amp Routing options)Д®diting any of these settings is incredibly easy.

Opto Tremolo (based on* 1965 Fender Deluxe Reverb).

2001 Treadplate (based on* Mesa Boogie Dual Rectifier).

1993 Solo 100 Head (based on* Soldano SLO-100).

1987 Jazz Clean (based on* Roland JC-120).

1968 Plexi Jump Lead (based on* Marshall Super Lead with 'jumped' channels).1968 Plexi Lead (based on* Marshall Super Lead).1967 Class A-30 Top Boost (based on* Vox AC-30).1964 Blackface 'Lux (based on* Fender Deluxe Reverb).1958 Tweed B-Man (based on* Fender Bassman).1953 Small Tweed (based on* 'wide panel' Fender Deluxe).Oh, and for those of you wondering, the big, black knob on top of the GuitarPort is the volume control.ДЄnywho, the list of amps, cabinets and effects modeled by the GuitarPort are as follows: You could do without running an audio cable if you're only planning on jamming alone and not listening to anything you've already recorded by just hooking up a pair of headphones to the GuitarPort. I didn't have to actually unhook anything and it worked perfectly fine. Instead of doing this, I ran a 1/8' cable (which is included) from the headphone jack on the GuitarPort into a line-in on my soundcard. The instructions say that you should plug your speakers directly into the GuitarPort and then run the line-out from your computer into the line-in on the GuitarPort. The GuitarPort has a headphone jack, 1/8' line in and RCA out. It's sort of odd this way, but you have a few options. That'll get the digital audio into the computer for recording, but you'll still need to hook up an audio cable in order to hear it while you play.

#Line 6 recording software Pc

The GuitarPort hooks up to a Windows-based PC via a USB port. Coupled with a PC, it lets you choose from various amp types, pair them with a cabinet of some sort and apply various effects. The Line 6 GuitarPort, as mentioned, is very similar to any of its POD products. We'll break the review down into two parts, first the GuitarPort and then RiffWorks. Note that if you already have a GuitarPort (which is available separately) then you can 'upgrade' and pick up RiffWorks for about $100 from RiffWorks will also work with the POD XT, and the same deal applies for that. The box says 'All You Need To Record Guitar', and aside from a reasonable computer, that's entirely true. The GuitarPort is used for modeling various guitar setups (like the POD XT) and getting your modeled sounds into your computer, and RiffWorks is used for recording licks and putting songs together.

#Line 6 recording software software

The GuitarPort RiffTracker is actually a two-piece home recording package, the hardware part being the GuitarPort and the software portion being RiffWorks. So when I had the chance to check out the GuitarPort RiffTracker, I was more than thrilled at the opportunity to play with what I'd hope would be the next big thing from Line 6.

I've owned a POD 2.0 for about four or five years now and I always say it's the best piece of music equipment I've ever purchased. If you always wanted to play through a 1958 Fender Bassman coupled with a 4x12 1968 Marshall Basketweave with Greenbacks, you can do that on the POD XT. Its immensely popular POD line models the sounds of various amps and cabinet setups. Flip it again and dial in a 1928 National Style 2 'Tricone'. For example, at the flip of a switch (or turn of a knob, actually) its Variax electric guitar can go from creating the fluid sounds of a 1959 Fender Stratocaster to the warm, grinding sounds of a 1958 Gibson Les Paul Standard. Its focus is on reproducing numerous popular sounds from a single instrument or amp. Line 6 makes some incredibly cool music products.